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Kate Morgan Reade's avatar

About that lasagne. The first thing that came to mind was M*A*S*H and Major Charles Emerson Winchester III. But Southall moves far beyond even Charles's pomposity, leaps straight through the DSM-5-TR, and lands squarely on what feels like robotic AI. Cylon toast, anyone? Far beyond the intransigence of too many generations of inbred privilege, borne on the backs of those whose agency and humanity have been stolen, Southall versus Himself is center ring. There are echoes of current political turmoil and twentieth century hubris, fascism, and even murder. Everyone else (classmates, the dean, the grandfather, Shakespeare Lady, the recruiter, Jiminez, the other doctors) and even to some small degree a tiny spark of humanity within Southall—waiting either to be fanned or extinguished—watches in gobsmacked horror. It is a one-legged dance on the edge of a cliff, and we are afraid to look and also not to look at ourselves in our current dilemma—an age of science nonfiction. Is this a repeat of pharaoh deities, emperors, and the divine right of kings, or does a dangerous powerful aristocracy in an age of siloed media, disappearing local reporting, and AI make it infinitely more sinister? What or who have we allowed to emerge, and what the hell, if anything, are we going to do about it?

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Kate Morgan Reade's avatar

Thanks for this, Ben. I raced through it, which is not my usual style, so that says a lot. This has so many layers, like good lasagne. While I do actual paid work this afternoon, I will be digesting this internally in my emotional-historical-experiential-intellectual app running in the background. Cheers! Kate

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